<?xml version="1.0" encoding="UTF-8"?><rss xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title><![CDATA[Her On Record]]></title><description><![CDATA[Her On Record: Amplifying Women's Voices and Stories in Music]]></description><link>https://www.heronrecord.com/blog</link><generator>RSS for Node</generator><lastBuildDate>Thu, 23 Apr 2026 09:43:55 GMT</lastBuildDate><atom:link href="https://www.heronrecord.com/blog-feed.xml" rel="self" type="application/rss+xml"/><item><title><![CDATA[Album Review: “WOR$T GIRL IN AMERICA” by Slayyyter]]></title><description><![CDATA[By Grace Koennecke, Editor in Chief Illustration courtesy of Taz Dutt If anyone is making pop music more fun again, it’s Slayyyter. Raised in a suburb of St. Louis, MO, the singer has fully embraced her Midwestern roots on her latest album, “WOR$T GIRL IN AMERICA.”   A chaotically colorful range of emotions and feverish bangers, this album has become one of the most highly anticipated releases of the year thus far after its wildly successful singles, which, for most chronically online people...]]></description><link>https://www.heronrecord.com/post/album-review-wor-t-girl-in-america-by-slayyyter</link><guid isPermaLink="false">69ded661934ce577916cd142</guid><pubDate>Wed, 15 Apr 2026 00:08:12 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/1d116c_48826ac510cd4662891194a5b65f35de~mv2.png/v1/fit/w_940,h_705,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Grace Koennecke</dc:creator></item><item><title><![CDATA[The Riott Grrrl Movement and its impact on modern rock music]]></title><description><![CDATA[Courtesy of Mannequin Pussy/press photo by Martin Bannister.]]></description><link>https://www.heronrecord.com/post/the-riott-grrrl-movement-and-its-impact-on-modern-rock-music</link><guid isPermaLink="false">69c6d3115ed83abd8bbf4733</guid><pubDate>Fri, 27 Mar 2026 18:59:19 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/1d116c_4a822512bb654da29f2611e62bf19823~mv2.jpg/v1/fit/w_1000,h_540,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Grace Koennecke</dc:creator></item><item><title><![CDATA["Factory Girl:" Why women in music are still being caught in the cycle of abuse and censorship]]></title><description><![CDATA[By Grace Koennecke, Editor in Chief Kim Petras is a name in pop music that many have become entranced by, myself included. Known for her often explicit, unapologetic lyricism and brand, the German pop singer has always seemed to have a distinct vision for her music since debuting in 2008. However, Petras’ label, Republic Records, has restricted her from releasing her upcoming album, “Detour,” along with some extra singles, causing many fans to come to the singer’s defense as the creative...]]></description><link>https://www.heronrecord.com/post/factory-girl-why-women-in-music-are-still-being-caught-in-the-cycle-of-abuse-and-censorship</link><guid isPermaLink="false">69b85aa2107e0353b7592ba2</guid><pubDate>Mon, 16 Mar 2026 20:21:39 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/1d116c_346b9cf03f5e4a49ad8d9440291a7b3a~mv2.png/v1/fit/w_1000,h_731,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Grace Koennecke</dc:creator></item></channel></rss>